Horse Hair Pottery
Rob Drexel, n/a (ceramic, cactus, leather, horse hair)
Residue from horse hair being applied to a hot vase |
Horse hair working wonderfully to bring attention to the gradient |
Horse hair layered on the inside and out of a bowl |
Rock Molds
Rock Molds, 2012 (concrete, stamp)
The best close up I could find |
Buddyfly, August 8, 2004 (rhubarb leaf, cement, silicone)
In one process it appears large rhubarb leaves are pressed lightly into cement to create flat and even stepping stones. In another process they pressed the leaf into a POP mold (cannot figure out what that means), and then created a silicone mold from that. Due to the fact that the POP mold is the positive of the final image, and the silicone is the appropriate negative, I can’t understand how the artist would use the POP to create a flat stepping stone. It appears that with the silicone mold he was able to create shapely cement stones that are useable as birdbaths and stand alone decorations. The slightly indented cement casts, coupled with
the ruffled texture that lines them, makes the rhubarb leaves look like they
were meant to be made into birdbaths and art. I think this idea works very well
in the garden, it’s great that it’s weatherproof, and I love how easy it is to
accomplish. I suppose that means that if I pushed a large rhubarb leaf into plaster and slumped glass over it I would create a shapely glass plate, candy dish or decoration. Orange, red and yellow leaves of all sizes would be wonderful for Autumn / Halloween production pieces! Green would be great for spring, possibly Easter?
Leaf Stamps
Carol R. Eaton, July 11, 2011 (fabric, fabric paint/silk screen ink, leaves)
Leaves
are painted in fabric friendly paint or ink and then pressed onto
fabric. This would be perfectly applicable with enamels! It would
provide such an easy way to quickly create similar but customized
designs on slumped plates and bowls! It could also be used to bring new
life and design to plain gaffers cups.
Leaf Imprint Mosaics
Leaves
are pressed into clay, then cut out in their respective shapes, to be
used in future mosaics and as inclusions in tables. I think with thin
sheets of wax or clay this is a process that could directly apply to the
process of making leaves or flowers to apply to molds as decorations.
The only way the actual mosaic process would be helpful to me (see
Craig’s Table for my reference of thought), is if I perhaps casted the
leaves on their own – in different color. I could then fuse the leaves
together, even with clear glass filling the crevices in between them; if
color did not matter I could press wax leaves, arrange them into a
plate design, then pour wax to fill up all the negative space between
the leaves.
Leaf Imprint Stepping Stones
Stevie, June 9, 2012 (concrete, leaves and pebble stones)
Leaves are weighed down into cement with pebbles to create imprinted stepping stones. The act of weighting items to get better texture and depth will probably be useful. As well, pushing a material straight into plaster would be a simple and effective time saver, and much easier than pushing an item into wax or clay.
Leaf Imprinted Ceramics
pink_pamplemousse, June 14, 2009 (ceramic and leaves)
Leaves
were pushed straight into the clay. I like this piece because it brought
to my attention the idea of isolating texture in a different color to
help it stand out, or in the reverse I could reuse the texture in a
tight pattern and perhaps if I didn’t put emphasis on the texture it
would no longer be recognizable as, say, a leaf pattern.
Kiwi Mold
Van Yulay, July 07, 2012, (kiwis, silicone)
Leaf Imprints With Crayon and Watercolor
Carolyn, June 29, 2011 (paper, crayon, watercolor, leaves)
Paper is placed over leaves and the texture is picked up with crayons and then watercolor. There isn’t anything I specifically like about these pieces or pictures, perhaps because they’re simple crafts for kids. I decided not to count out any relative ideas I came across though, because you never know when the concept might become relative in a new way. For all I know I could run over a piece of translucent paper with enamels, then press a sheet of glass against that and pick up the enamels – though it would be far easier to just paint on the leaf itself and cut out the middle man. Still, if I drop this link I will regret it, so that's why this little diddy is in here.
Magic Foam Stamp
Silicone rhubarb leaf |
Flat cement rhubarb leaf stones |
Shapely cement rhubarb leaf birdbath |
Leaf Stamps
Carol R. Eaton, July 11, 2011 (fabric, fabric paint/silk screen ink, leaves)
Print from leaf coated in green ink |
Leaf Imprint Mosaics
Marylou Newdigate, June 29, 2012 (ceramics, leaves)
Freshly cut and peeled clay leaves |
Ceramic leaves set into a table |
Leaf Imprint Stepping Stones
Stevie, June 9, 2012 (concrete, leaves and pebble stones)
Leaves are weighed down into cement with pebbles to create imprinted stepping stones. The act of weighting items to get better texture and depth will probably be useful. As well, pushing a material straight into plaster would be a simple and effective time saver, and much easier than pushing an item into wax or clay.
Leaf Imprinted Ceramics
pink_pamplemousse, June 14, 2009 (ceramic and leaves)
Ceramic vase with leaves painted differently than background |
Kiwi Mold
Van Yulay, July 07, 2012, (kiwis, silicone)
A silicone mold created out of kiwi halves. I find it particularly
amusing that the creator has decreed that no other is allowed to pour
silicone over a kiwi. Making multipiece molds would be helpful if I
discovered a texture I really enjoyed. In fact, this would be ideal for
creating detailed fruit coasters that are cuts of kiwi, orange, lemon
and lime. My idea was simply to paint on the design, but having added
texture would really make them unique, and fulfill my joy of texturing
objects. Only, as these molds would be for slumping glass and not
pouring wax, I would want to create plaster molds that hopefully refrain
from undercuts; otherwise I shall create a large multipiece silicone
mold for each fruit, so that I can pour a new plaster every time.
Leaf Imprints With Crayon and Watercolor
Carolyn, June 29, 2011 (paper, crayon, watercolor, leaves)
Paper is placed over leaves and the texture is picked up with crayons and then watercolor. There isn’t anything I specifically like about these pieces or pictures, perhaps because they’re simple crafts for kids. I decided not to count out any relative ideas I came across though, because you never know when the concept might become relative in a new way. For all I know I could run over a piece of translucent paper with enamels, then press a sheet of glass against that and pick up the enamels – though it would be far easier to just paint on the leaf itself and cut out the middle man. Still, if I drop this link I will regret it, so that's why this little diddy is in here.
Magic Foam Stamp
Textured magic foam! |
Other ideas I am interested in researching and exploring are:
Different ways to make molds
Enameling & screen printing
Recycling fired plaster
Unconscious artMarbling glassDifferent ways to make molds
Enameling & screen printing
Recycling fired plaster
InclusionsDecals
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